Tuesday, December 22, 2020

 The Purge: A Christmas Carol

By Charles Dickens and Christina Tomlinson


STAVE 1: Marley’s Ghost


Marley was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner the day after the Purge. Scrooge signed it: and Scrooge’s name was good upon ’Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.

Scrooge knew he was dead? Of course he did. He was there when the deed was done. How could it be otherwise? Scrooge and he were partners for I don’t know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend, and sole mourner. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. Scrooge never painted out Old Marley’s name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names. It was all the same to him.


Oh! But he was a tight-fisted hand at the grindstone, Scrooge! A squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Nobody ever stopped him in the street to say, with gladsome looks, “My dear Scrooge, how are you? When will you come to see me?” All about the town people were always amazed to see his grim countenance the day after the annual Purge.  Was he not hated enough to to be culled?


But what did Scrooge care! It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance.


Once upon a time—of all the good days in the year, hours before Purge Night—old Scrooge sat busy in his counting-house. He could hear the people in the court outside, go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement stones hurrying home before sundown. The city clocks had only just gone four, but candles were flaring in the windows of the neighbouring offices, like ruddy smears that would soon be upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that the houses opposite were mere phantoms. 


The door of Scrooge’s counting-house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond,was copying letters. 


“A merry Purge, uncle! God save you!” cried a cheerful voice. It was the voice of Scrooge’s nephew, who came upon him so quickly that this was the first intimation he had of his approach.


“Bah!” said Scrooge, “Humbug!”



“The Purge a humbug, uncle!” said Scrooge’s nephew. “You don’t mean that, I am sure?”


“I do,” said Scrooge. “Merry Purge! What right have you to be merry? What reason have you to be merry? You’re poor enough.”


“Come, then,” returned the nephew gaily. “What right have you to be dismal? What reason have you to be morose? You’re rich enough.”


Scrooge having no better answer ready on the spur of the moment, said, “Bah!” again; and followed it up with “Humbug.”


“Don’t be cross, uncle!” said the nephew.


“What else can I be,” returned the uncle, “when I live in such a world of fools as this? Merry Purge! Out upon Purge! What’s Purge time to you but a time for locking yourself within your home to cower with your wife and insipid friends, betting on who will make it thru the night but secretly praying that you yourself will not be viscously killed; If I could work my will,” said Scrooge indignantly, “every idiot who goes about with ‘Merry Purge’ on his lips, should be boiled with his own pudding, and buried with a stake through his heart. He should!”


“Uncle!” pleaded the nephew.


“Nephew!” returned the uncle sternly, “keep the Purge in your own way, and let me keep it in mine.”


“Keep it!” repeated Scrooge’s nephew. “But you don’t keep it.”


“In my youth I kept it.” said Scrooge. “I kept it as much as any man might!  And purged all the vile weaknesses from my soul!There are many things from which I might have derived good, by which I have not profited, I dare say,” continued Scrooge. “I am sure I have always thought of Purge time, when it has come round—apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that—as a good time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as passengers to the grave and I say, God bless it!”


The clerk in the Tank involuntarily applauded. 


“Let me hear another sound from you,” said Scrooge, “and you’ll keep your Purge by losing your situation!”


“Don’t be angry, uncle. Come! Dine with us to-night. Stay safe with my wife and I!”


Scrooge then turned his back to his nephew.


“Good afternoon,” said Scrooge.


“I want nothing from you; I ask nothing of you; why cannot we be friends?”


“Good afternoon,” said Scrooge.


“I am sorry, with all my heart, to find you so resolute. We have never had any quarrel, but I’ll keep my humour to the last. So A Merry Purge, uncle!”


“Good afternoon!” said Scrooge.


“And A Happy After Purge Morn!”


“Good afternoon!” said Scrooge.


His nephew left the room without an angry word, notwithstanding. He stopped at the outer door to bestow the greetings of the season on the clerk, who returned them cordially.


“There’s another fellow,” muttered Scrooge; who overheard him: “my clerk, with fifteen shillings a week, and a wife and family, talking about a merry Purge night. I’ll retire to Bedlam.”


This lunatic, in letting Scrooge’s nephew out, had let two other people in. They were portly gentlemen, pleasant to behold, and now stood, with their hats off, in Scrooge’s office. They had books and papers in their hands, and bowed to him.


“Scrooge and Marley’s, I believe,” said one of the gentlemen, referring to his list. “Have I the pleasure of addressing Mr. Scrooge, or Mr. Marley?”


“Mr. Marley has been dead these seven years,” Scrooge replied. “He died seven years ago, this very night.”


“We have no doubt his liberality is well represented by his surviving partner,” said the gentleman, presenting his credentials.


“At this festive season of the year, Mr. Scrooge,” said the gentleman, taking up a pen, “it is more than usually desirable that we should make some slight provision for the Poor and destitute, who suffer greatly on this night.”


“Are there no prison hunts?” asked Scrooge.


“Plenty of prison hunts,” said the gentleman, laying down the pen again.


“And the carnivals of carnage?” demanded Scrooge. “Are they still in operation?”


“They are. Still,” returned the gentleman, “I wish I could say they were not.”


“Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course,” said Scrooge. “I’m very glad to hear it.”


“A few of us are endeavouring to raise a fund to buy the Poor some safety, and means of escape. We choose this time, because it is a time, of all others, when Want is keenly felt. What shall I put you down for?”


“Nothing!” Scrooge replied.


“You wish to be anonymous?”


“I wish to be left alone,” said Scrooge. “Since you ask me what I wish, gentlemen, that is my answer. I help to support the establishments I have mentioned—they cost enough; and those who are badly off must go there.”


“Many would rather die BEFORE they go there.”


“If they would rather die,” said Scrooge, “they had better do it, and decrease the surplus population.”


Seeing clearly that it would be useless to pursue their point, the gentlemen withdrew. Scrooge resumed his labours with an improved opinion of himself, and in a more facetious temper than was usual with him.


“You’ll want off early to-night, I suppose?” said Scrooge.


“If quite convenient, sir. I deign to leave my family with out me on Purge night”


“It’s not convenient,” said Scrooge, “and it’s not fair. To lose a half day of profit!”


The clerk smiled faintly and observed that it was only once a year.


“A poor excuse for picking a man’s pocket once a year!” said Scrooge, buttoning his great-coat to the chin. “But I suppose you must have the whole evening. Be here all the earlier next morning.”


The clerk promised that he would; and Scrooge walked out with a growl. The office was closed in a twinkling, and the clerk, with the long ends of his white comforter dangling below his waist (for he boasted no great-coat), went down a slide on Cornhill, and then ran home to Camden Town as hard as he could pelt.


Scrooge took his melancholy dinner in his usual melancholy tavern; and having read all the newspapers, and beguiled the rest of the evening with his banker’s-book, went home to bed. 


Now, it is a fact, that Scrooge had not bestowed one thought on Marley, since his last mention of his seven years’ dead partner that afternoon. And then let any man explain to me, if he can, how it happened that Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change—not a knocker, but Marley’s face.


Marley’s face. It was not in impenetrable shadow as the other objects in the yard were, but had a dismal light about it. It was not angry or ferocious, but looked at Scrooge as Marley used to look: with ghostly spectacles turned up on its ghostly forehead. The hair was curiously stirred, as if by breath or hot air; and, though the eyes were wide open, they were perfectly motionless. That, and its livid colour, made it horrible; but its horror seemed to be in spite of the face and beyond its control, rather than a part of its own expression.


As Scrooge looked fixedly at this phenomenon, it was a knocker again.


To say that he was not startled, or that his blood was not conscious of a terrible sensation to which it had been a stranger from infancy, would be untrue. But he put his hand upon the key he had relinquished, turned it sturdily, walked in, and lighted his candle.


He did pause, with a moment’s irresolution, before he shut the door; and he did look cautiously behind it first, as if he half expected to be terrified with the sight of Marley’s bloodied pigtail sticking out. But there was nothing on the back of the door, so he said “Pooh, pooh!” and closed it with a bang.


Up the stairs he went. Sitting-room, bedroom, lumber-room. All as they should be. No intruder under the table, nobody under the sofa; nobody under the bed; nobody in the closet; nobody in his dressing-gown, which was hanging up in a suspicious attitude against the wall.


Quite satisfied, he closed his door, and locked himself in; the door to his suite was like that of a great bank vault.  The only thing he spent any of his money on was to create the most unbreachable room in all of London.  All windows reinforced with steel bars, solid metal shutters closed and locked from the inside to prevent any intrusion. As the church bells tolled their solemn sound to commence the beginning of Purgenight he double-locked the inner doors. Thus secured against surprise, he took off his cravat; put on his dressing-gown and slippers, and his nightcap; and sat down before the fire to take his gruel.


He was obliged to sit close to the small fire in his fireplace, and brood over it, before he could extract the least sensation of warmth from such a handful of fuel. The fireplace was an old one, built by some Dutch merchant soon after the first Purgenight in London. Having been made with a series of sharp metal grates through the whole chimney so one might not slide down it and into the room.  The mantle itself was beautiful, paved all round with quaint Dutch tiles, designed to illustrate the Scriptures. There were Cains and Abels, Judiths with holding the head of Holofernes, Daniels in lions’ dens, hundreds of figures to attract his thoughts; and yet the face of Marley consumed him. If each smooth tile had been a blank at first, with power to shape some picture on its surface from the disjointed fragments of his thoughts, there would have been a copy of old Marley’s head on every one.


“Humbug!” said Scrooge; and walked across the room.


After several turns, he sat down again. As he threw his head back in the chair, his glance happened to rest upon a bell, a disused bell, that hung in the room, and communicated for some purpose now forgotten with a chamber in the highest story of the building. It was with great astonishment, and with a strange, inexplicable dread, that as he looked, he saw this bell begin to swing. It swung so softly in the outset that it scarcely made a sound; but soon it rang out loudly, and so did every bell in the house.


This might have lasted half a minute, or a minute, but it seemed an hour. Scrooge jumped from his chair and walked briskly to the armoire that held his firearms.  He had purchased a repeating rifle after seeing one used in the street below in the Purge the year before. The bells ceased as they had begun, together. They were succeeded by a clanking noise, deep down below; as if some person were dragging a heavy chain over the casks in the wine-merchant’s cellar.  Scrooge then remembered to have heard that ghosts in haunted houses were described as dragging chains.


The cellar-door flew open with a booming sound, and then he heard the noise much louder, on the floors below; then coming up the stairs; then coming straight towards his door.


“It’s humbug still!” said Scrooge, aiming his rifle at the door. “I won’t believe it.”


His colour changed though, when, without a pause, it came on through the heavy door, and passed into the room before his eyes. 

The same face: the very same. All Marley wore was covered in blood and that blood seemed to flow around him like an ethereal fog. The chain he drew was clasped about his middle. It was long, and wound about him like a tail; and it was made (for Scrooge observed it closely) of cash-boxes, keys, padlocks, ledgers, deeds, and heavy purses wrought in steel. His body was transparent; so that Scrooge, observing him, and looking through his waistcoat, could see the two buttons on his coat behind. 


No, nor did he believe it even now. Though he looked the phantom through and through, and saw it standing before him; though he felt the chilling influence of its death-cold eyes; and marked the very texture of the folded kerchief bound about its head and chin, which wrapper he had not observed before; a bandage wrapped about his head, as though someone had tried to keep his brains from oozing out of his cracked skull. Scrooge was still incredulous, and fought against his senses.


“How now!” said Scrooge, caustic and cold as ever. “What do you want with me?”


“Much!”—Marley’s voice, no doubt about it.


“Who are you?”


“Ask me who I was.”


“Who were you then?” said Scrooge, 


“In life I was your partner, Jacob Marley.”


“You don’t believe in me,” observed the Ghost.


“I don’t,” said Scrooge.


“What evidence would you have of my reality beyond that of your senses?”


“I don’t know,” said Scrooge.


“Why do you doubt your senses?”


“Because,” said Scrooge, “a little thing affects them. A slight disorder of the stomach makes them cheats. You may be an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of an underdone potato. There’s more of gravy than of grave about you, whatever you are!”


At this the spirit raised a frightful cry, and shook its chain with such a dismal and appalling noise, that Scrooge held on tight to his chair, to save himself from falling in a swoon. But how much greater was his horror, when the phantom taking off the bandage round its head, as if it were too warm to wear indoors, its lower jaw dropped down upon its breast and a large portion of its skull fell open, being held on with only a small bit of flesh and hair keeping it attached!


Scrooge fell upon his knees, and clasped his hands before his face.


“Mercy!” he said. “Dreadful apparition, why do you trouble me?”


“Man of the worldly mind!” replied the Ghost, “do you believe in me or not?”


“I do,” said Scrooge. “I must. But why do spirits walk the earth, and why do they come to me?”


“It is required of every man,” the Ghost returned, “that the spirit within him should walk abroad among his fellowmen, and travel far and wide; and if that spirit goes not forth in life, it is condemned to do so after death. It is doomed to wander through the world—oh, woe is me!—and witness what it cannot share, but might have shared on earth, and turned to happiness!”


Again the spectre raised a cry, and shook its chain and wrung its shadowy hands.


“You are fettered,” said Scrooge, trembling. “Tell me why?”


“I wear the chain I forged in life,” replied the Ghost. “I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it. Is its pattern strange to you?”


Scrooge trembled more and more.


“Or would you know,” pursued the Ghost, “the weight and length of the strong coil you bear yourself? It was full as heavy and as long as this, seven years ago. You have laboured on it, since. It is a ponderous chain!”


Scrooge glanced about him on the floor, in the expectation of finding himself surrounded by some fifty or sixty fathoms of iron cable: but he could see nothing.


“Jacob,” he said, imploringly. “Old Jacob Marley, tell me more. Speak comfort to me, Jacob!”


“I have none to give,” the Ghost replied. “It comes from other regions, Ebenezer Scrooge, and is conveyed by other ministers, to other kinds of men. Nor can I tell you what I would. A very little more is all permitted to me. I cannot rest, I cannot stay, I cannot linger anywhere. My spirit never walked beyond our counting-house, aside from that one night a year we would stalk the alleys of London for our prey—mark me!—in life my spirit never roved beyond the narrow limits of our money-changing hole; and weary journeys lie before me!”


It was a habit with Scrooge, whenever he became thoughtful, to put his hands in his breeches pockets. Pondering on what the Ghost had said, he did so now, but without lifting up his eyes, or getting off his knees.


“Seven years dead,” mused Scrooge. “And travelling all the time!”


“The whole time,” said the Ghost. “No rest, no peace. Incessant torture of remorse.”


“You travel fast?” said Scrooge.


“On the wings of the wind,” replied the Ghost.


“You might have got over a great quantity of ground in seven years,” said Scrooge.


The Ghost, on hearing this, set up another cry, and clanked its chain so hideously in the dead silence of the night, that the Ward would have been justified in indicting it for a nuisance.


“Oh! captive, bound, and double-ironed,” cried the phantom, “not to know, that ages of incessant labour by immortal creatures, for this earth must pass into eternity before the good of which it is susceptible is all developed. Not to know that any Christian spirit working kindly in its little sphere, whatever it may be, will find its mortal life too short for its vast means of usefulness. Not to know that no space of regret can make amends for one life’s opportunity misused! Yet such was I! Oh! such was I!”


“But you were always a good man of business, Jacob,” faltered Scrooge, who now began to apply this to himself.


“Business!” cried the Ghost, wringing its hands again. “Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence, were, all, my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!”


It held up its chain at arm’s length, as if that were the cause of all its unavailing grief, and flung it heavily upon the ground again.


“At this time of the rolling year,” the spectre said, “I suffer most. Why did I walk through crowds of fellow-beings with my eyes turned down, and never raise them to that blessed Star which led the Wise Men to a poor abode! Were there no poor homes to which its light would have conducted me!”


Scrooge was very much dismayed to hear the spectre going on at this rate, and began to quake exceedingly.


“Hear me!” cried the Ghost. “My time is nearly gone.”


“I will,” said Scrooge. “But don’t be hard upon me! Don’t be flowery, Jacob! Pray!”


“How it is that I appear before you in a shape that you can see, I may not tell. I have sat invisible beside you many and many a day.”


It was not an agreeable idea. Scrooge shivered, and wiped the perspiration from his brow.


“That is no light part of my penance,” pursued the Ghost. “I am here to-night to warn you, that you have yet a chance and hope of escaping my fate. A chance and hope of my procuring, Ebenezer.”


“You were always a good friend to me,” said Scrooge. “Thank’ee!”


“You will be haunted,” resumed the Ghost, “by Three Spirits.”


Scrooge’s countenance fell almost as low as the Ghost’s had done.


“Is that the chance and hope you mentioned, Jacob?” he demanded, in a faltering voice.


“It is.”


“I—I think I’d rather not,” said Scrooge.


“Without their visits,” said the Ghost, “you cannot hope to shun the path I tread. Expect the first to-morrow, when the bell tolls One.”


“Couldn’t I take ’em all at once, and have it over, Jacob?” hinted Scrooge.


“Expect the second on the next night at the same hour. The third upon the next night when the last stroke of Twelve has ceased to vibrate. Look to see me no more; and look that, for your own sake, you remember what has passed between us!”


When it had said these words, the spectre took its wrapper from the table, and bound it round its head, as before. Scrooge knew this, by the smart sound its teeth made, when the jaws were brought together by the bandage and the grinding of bone upon bone of the skull. He ventured to raise his eyes again, and found his supernatural visitor confronting him in an erect attitude, with its chain wound over and about its arm.


The metal shutters unlocked themselves and flew open.  The loud crash make Scrooge shake with utter horror.  The apparition walked backward from him; and at every step it took, the window raised itself a little, so that when the spectre reached it, it was wide open.


It beckoned Scrooge to approach, which he did. When they were within two paces of each other, Marley’s Ghost held up its hand, warning him to come no nearer. Scrooge stopped.


Not so much in obedience, as in surprise and fear: for on the raising of the hand, he became sensible of confused noises in the air; incoherent sounds of lamentation and regret; wailings inexpressibly sorrowful and self-accusatory. The spectre, after listening for a moment, joined in the mournful dirge; and floated out upon the bleak, dark night.


Scrooge followed to the window: desperate in his curiosity. He looked out.


The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, cowering upon a door-step, trying to hide from those out exterminating the poor who found themselves without safe haven on Purgenight. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever.


Whether these creatures faded into mist, or mist enshrouded them, he could not tell. But they and their spirit voices faded together; and the sounds of distant gunshots and screaming cut thru the air.


Scrooge closed the shutter and locked it, then brought down the window, and examined the door by which the Ghost had entered. It was double-locked, as he had locked it with his own hands, and the bolts were undisturbed. He tried to say “Humbug!” but stopped at the first syllable. And being, from the emotion he had undergone, or the fatigues of the day, or his glimpse of the Invisible World, or the dull conversation of the Ghost, or the lateness of the hour, much in need of repose; went straight to bed, without undressing, and fell asleep upon the instant.




Saturday, July 13, 2013

Diamonds in My Grill

Its been about six months, so I figured its time to updated my blog...

There has been so much going on!  I've worked on quite a few music videos and films, here's a quick preview of some!

First, about two weeks ago we filmed Tunde Olaniran's next music video "Diamonds in My Grill" at the Fusion Soundstage.  The song features iRAWniq and Passalacqua.  It was utter insanity.

We built 8 sets for the shoot, had a cast of eccentric characters; all played by three actors, the singular Cintel, the pulchritudinous Kyle, and the august Aaron








There were also magnificent costumes and luxurious beards.











And a crabby apple.




About 3 weeks ago D. Allie's Consequences music video was released.  This was a collaboration between Hi Hill, Demetrios Anastasiow (Dizzle Videos), and myself.  Please check it out!  Consequences is from "Moonchild and D.Allie: Have a Bright Future" Which you can get here.  http://moonchildmusic.bandcamp.com/album/moonchild-and-d-allie-have-a-bright-future-2013 
Or see D. Allie live and buy one from him at the show!  I have the album and its been on heavy rotation since I got it at the beginning of the year.
 


Recently I also did a bit of make up for another DizzleVideo production, for Pato Margetic's next video.  I beat and bloodied Pato.  No photos of that part of the production yet, but here is a pic of a green screen and a cool car.



Much, much more is happening.  I'm currently working on some outfits for Odd Hours next music video, and a scenic design for a sci fi film.  I will post info about those soon!

Also, if you haven't liked me on facebook, please do. Christina Tomlinson Designs




Tuesday, January 1, 2013

Bright Future

Happy New Year everyone!

I wanted to do a quick update here to show some of my most recent work!

First, Tunde Olaniran's "Brown Boy", on which I was the costume supervisor.






Next, Tunde Olaniran's "The Second Transgression", as costume director.







RoboRobb's "GMS", as production designer (I designed the costumes, set, gas station)







Styling for the "Interplanetary Holidays" promotional photoshoot, Hi-Hill Recording's Holiday concert featuring RoboRobb, D. Allie, Drew 32, and Gameboi





(this one is my favorite) 










And last, but definitely not least, a robe commissioned by Autumn as a Christmas gift for her husband.  





Sunday, November 25, 2012

The Goblin King

In honor of the release of Tunde Olaniran's "The Second Transgression" on December 21st, I am reviving this blog to write about the work that he and I have done together.

I will start with "The First Transgression" video.



                                                                                                                              Photo by Timothy Jagielo


"The First Transgression" is the first video in a five part sci-fi narrative which is paired with an album of the same name.  The video stars Tunde, Adrienne Marie Brown, and much white hair.

                                   photo by Christina Tomlinson

Tunde's look is that of a warrior.  I pulled inspiration from many different areas for this.  We went with a basic color pallet of cream, white, grey, gold, bronze, and tan with red touches.  I was highly influenced by 18th century European menswear, the Mughal Empire, and the Byzantine Empire.

                                                                         Photo by Tim Jagielo

Adrienne's costume was inspired by a several of goddess/mother figures, including Inanna, Isis, Amaterasu, and the Virgin Mary.  The color of her costume is primarily red, with gold touches.  Her headdress,  which is made almost entirely of paper, measures about 5 feet across.  

                                                                       Photo by Tim Jagielo


Last, but definitely not least, the white hair scuplture. Making this was a two step process.  First I took a bunch of the white hair (of which there were 4 shades) and made various styles of long braids, twists, dreadlocks, all with wire interlaced through them.  When we arrived at the set I installed the fixed hair, added the loose wefts, then proceeded to brush, tease and matte them together.  Then with the help of Saryn, Tunde's make up and hair dresser, we wove him into the hair.   

This white hair will make an appearance again in "The Second Transgression".  


Tuesday, February 1, 2011

Adventure Time!

A friend asked if I could make the hat and backpack that Finn wears on the cartoon Adventure Time. 
I actually patterned both the hat and backpack from scratch.  Both came out fantastic but I especially like the hat.

And so does Aaron!



Sunday, January 30, 2011

I put a spell on you.

 The bit of awesomeness you see here is a silver bat wing jacket, something I made for Tunde Olaniran (you'll be hearing that name a lot) a couple of years ago.  Its made of silver crinkle tissue lame with neon green piping.  

To me this jacket was a mash up of 1950s sci fi inspiration, a modern shape, and classic patterning techniques.  A couple of the details in this jacket include a zipper set to the left side of the jacket, as well as a series of darts that radiate from the neck to the elbow.


                Gaze upon its beauty.  I dare you. 
                              Tunde is clearly spellbound by the magnificence of his attire.

                                                     But then again, so am I.

Thursday, January 27, 2011

Wig in a Box

Today I am featuring a wig that I made while in graduate school at Wayne state. It was a part of my advanced make up class, which included mustache and wig weaving.

I took inspiration from the Kabuki theatre's Lion Dance. The way these wigs move while the performer is dancing is fantastic. The fullness, shape, and weight captures the regal nature of a lion while still falling lightly when moving thru the air.


Below is a fantastic video of a Lion Dance being performed.



Now, the wig I made is a smaller, shorter version of this with a more rounded shape. It's amazing with a crochet hook, some sport jersey, and a ton of white and light blue fuzzy yarn can do.

Ta Da!!